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"What I call home" A photo contest hosted by "Studio Maffei Milano"

Maffei Luca is a young and friendly gallery in Milan. His
space, well attended (like on Facebook at more than a thousand people) is devoted to contemporary art and especially to emerging artists.
Luke invited me to join the "Scientific Committee" (There will also be Fiorucci, the Masbedo and others to be confirmed) of a photo contest.
"What do you call home" is a very interesting theme, as well as attractive is the prize, not vile money, but a show that, during the Milan Festival Photo from March 15 to April 4, will bring together, in the gallery spaces, twenty-three award-winning images.
E 'also planned to publish a catalog of the exhibition.
addition, simply by subscribing to the tunnel profile on Facebook everyone to vote for images.
However, if it interests you go directly to the site the tunnel where there is the announcement of the competition and everything is explained at its best.

Below is the official statement and link:



Maffei Milan Studio is pleased to invite you to join the photo contest "CosaChiamoCasa (What I Call Home)"
promoted at the Milan PhotoFestival - March 15 - Vote (iLike) the authors That You Consider Most Valuable
www.facebook.com / studiomaffeimilano

Studio Milan Maffei apologize to foreign authors Photocontest But The first edition is only for Italian Citizens; We Hope that the next one will be open to all.

Phrases Of Encouragement To Study

Dolce & Gabbana Milano Thunder boxing team for italian "Max" magazine.
















tough little guys, the guys from the Thunder. And tough, but very sweet, their head, Silvia Hrubinova, wife of boxer Parisi died in a car accident in 2009.

We took this story on January 4.

I had not yet recovered from New Year And here was to install some stuff. I wanted a little "Raging Bull" and so, without going to delirium, however, some light on the film we had to assemble.

I totally slowed reflexes, thank goodness that the guys were smarter than me. "Let's do it, scattiamola from here", were gassed and I did not want to contradict their own. While I shot (Yes, come on, go, more, more!) Tatanka, alias Clemente Russo, he trimmed, such as a joke, a punch in the stomach - a plane - but I've heard. Below some shots from backstage, this time of Nicholas Rastrelli.



















"Beauty and the beasts" Max magazine February 2011
Photographed by Toni Thorimbert
Written by Raffaele Panizza Styled by Alessandro Calascibetta

Backstage photography by Nicholas Rastrelli. Click on the pictures to enlarge.

Gas Range With Pop Up Vent

Larry Scott.



Then, we proceed in order: Above the pretext for this post. The photo, Herb Ritts, 1996, and that is, omnipresent for years, "Water Giò "of Armani. The model is Larry Scott. Larry is (was) one of the most famous models in the world.
hours ago Apparently, the photographer, but recently was photographed (by Andrea Gandini) for a service men's fashion "former top models for Io Donna.
I was a little surprised to read that the best memories of his long career as a service model has been taken with me in 1988.

Wow.
Then they say that models make the good life!

However, I know of that talks about service, because for me is unforgettable. Him, not the service.
was his first job ever. We were at school, not exactly "glam" World's Man in Milan.
We meet very rarely, persons who have an aura that goes beyond their appearance. Larry was actually very nice, and how beautiful it all was perhaps more true than in the photo, but what really struck me was the sense of the future that make its presence. Not exactly charismatic, but his sense of tomorrow. Over the years I "heard" the same thing only on rare occasions: Meeting, many, many years ago, a Valentino Rossi still bloom, and then, somehow, Lorenzo Jovanotti. People who carry written on their looks, their gestures and manners in their power, almost in the very form of their face, the prediction of new, capable people, by their mere presence, to feel like this already outdated, obsolete.

So was Larry Scott. Photographed by me in 1988.

And so it appears today, photographed by Andrea Gandini.






Click on the picture to enlarge.